EVA-MARIE DUBUISSON, then a student at University of Michigan, Ann Arbor, Michigan, received funding in November 2005 to aid research on 'Censoring Culture? Regional Authority and Political Legitimacy in Aitus Poetry in Post-Soviet Kazakhstan,' supervised by Dr. Judith T. Irvine. The grantee conducted ethnographic research in Kazakhstan for the period January - August 2006, to study a form of improvisational poetry currently performed all through the Kazakh world, among populations in Central Asia, Turkey, China, Russia, and Mongolia. This verbal art form is now a nationalized performance network in Kazakhstan; poets have achieved great levels of notoriety and stardom as bearers of 'true Kazakh culture.' In their highly intertextual performances, poets voice a wide variety of social personae as they engage in verbal duels. The project during this final research period was to show how poets collaborate with their mentors, audiences, and sponsors in a complex and highly metaphorical critique of Kazakhstan's current government at the municipal, provincial, and national levels. Poets decry corruption and nepotism, the vast gulf in levels of wealth between the country's elite and the average citizen, continued Russian hegemony in the region, and unaddressed issues of social and environmental degradation throughout the country. Sponsors, typically independently wealthy businessmen, are capitalizing upon an opportunity to add their voices indirectly to that critique. In the current climate of repression, censorship, and authoritarianism throughout Central Asia today, open dissent is not tolerated. This project demonstrates how the collaboration and mutual dependence of sponsors and poets creates new forms of authority within the Kazakh world above and beyond the nation-state.